REM sleep disorder

"In the tunnel," Tim Connor, All rights reserved.

More photos on my Flickr site.

The madonna and the whore

"Madonna," Tim Connor, All rights reserved


"Water girl," Tim Connor, All rights reserved

More photos on my Flickr site.

Women of New York

"Sidewalk of love,"  Tim Connor, All rights reserved


"Tarot card reader"


"Basketball girl," Tim Connor, All rights reserved


"Lunch in Union Square," Tim Connor, All rights reserved


"Top knot," Tim Connor, All rights reserved


"A clean, well-lighted place," Tim Connor, All rights reserved

Self Ps

"Alexander the Great," Tim Connor, All rights reserved


"A growing boy," Tim Connor, All rights reserved

Random art

"Butterfly enhanced," Tim Connor, All rights reserved


"LA Live," Tim Connor, All rights reserved

Back to the blog

We all dream of immortality. Is Google eternal? Perhaps for a few years. In any case I want to start posting my photos here again. Here are a couple. More to follow.


"Mannequins, Manhattan," Tim Connor, All rights reserved


"Black haired mannequin, Manhattan," Tim Connor, All rights reserved

Critical mass: Writing something a lot of people are thinking

"New York World's Fair, 1964," Garry Winogrand, All rights reserved

To conclude his review of the Garry Winogrand show at the Met (editor's note: Winogrand's images are mostly unplanned shots of strangers going about their lives, like the example above), New York Magazine art critic Jerry Saltz wrote the following:

"Something we’ve been missing also becomes evident here. The whole world is now filled with incredible images—especially on Instagram and other social networks—that owe something to Winogrand’s, documenting life, change, and all the rest. Yet the art world and museums are not. Instead they tend to show oversize, very still pictures or images that investigate formal properties and ideas of display and presentation. I love many of those pictures, but what’s happening online on social media deserves far more serious scrutiny than it’s getting. If the art world doesn’t admit more of this sort of deceptively casual-seeming work, the outside world will reject more so-called art photography than it already does. That’s a divide that we don’t need to reestablish and widen."

About time.