Monday, August 9, 2010

We love our machines, so we tell stories about them

09oped-art-articleNYTimes
NY Times op-ed illustration by Ji Lee

We're all familiar with the well-worn science fiction trope: Humans build a vast network of powerful machines; the machines become sentient & take over the world. Software designer Jaron Lanier doesn't necessarily believe this story, but he thinks it's important. In a recent NY Times op-ed, "The First Church of Robotics," Lanier argues that this machine-mind creation myth is fast gaining currency in our culture as a real -- not sci fi -- near-future event. At the well-heeled & well-connected Singularity University, for example, many of Silicon Valley's technological elite expect that "one day... the Internet will suddenly coalesce into a super-intelligent A.I. (Artificial Intelligence), infinitely smarter than any of us individually and all of us combined." In fact "...these are guiding principles, not just amusements, for many of the most influential technologists," Lanier reports.

Crazy? Who knows. Meanwhile, let's talk about the present. For good or ill, A.I. is seen right now as a new kind of god. I think the idea thrills us. Even if our new god turns out to be cruel (witness the recent explosion of literary & cinematic dystopias), we are ready. Perhaps we welcome AI because we can't help loving our own intelligence. Encoded within the AI, our small isolated stores of knowledge -- our data -- may become part of something much greater. The AI needs us. Thus, the master machines share our humanity & give us immortality.

"What we are seeing is a new religion , expressed through an engineering culture," says Lanier.

What's interesting is that Lanier makes this provocative point as an unreconstructed engineer & Silicon Valley insider. When he says that IBM -- which recently unveiled a question-answering computer designed to play the TV game show 'Jeopardy' -- could have "...dispensed with the theatrics [and] declared it had done Google one better and come up with a new phrase-based search engine," he clearly knows what he's talking about.

Not that we don't all understand why IBM listened to its ad people. Just a search engine? How boring. Why not a talking machine, a smart robot, something like a ... person? Think R2D2. Think WALL-E. Let's face it, there's something irresistible about those little mannikins. Even their old neurotic granddad, HAL, felt like part of the family. What's not to like?

Lanier warns that our identification with our technology is "allowing artificial intelligence to reshape our concept of personhood... we think of people more & more as computers, just as we think of computers as people...The very idea of A.I. gives us the cover to avoid accountability by pretending that machines can take on more and more human responsibility," Lanier says.

What a bummer this guy is! He's no fun at all. But, hold on, his suggestions of what to do about the fatal attraction of man & machine aren't really radical. For example, listen to his comment about the recommendation software on Netflix or Pandora: "Seeing movies or listening to music suggested to us by algorithims is relatively harmless, I suppose. But I hope that once in a while the users of those services resist the recommendations; our exposure to art shouldn't be hemmed in by an algorithim that we merely want to believe predicts our tastes accurately. These algorithims do not represent emotion or meaning, only statistics & correlations."

Spoken like an engineer. Factual. Unembellished. This is the way Lanier thinks we should look at our technology. What he's warning against is the way artists (& clergy) -- who typically know next to nothing technically -- look at it. They make up stories, invent metaphors, assign meanings. It's not very likely, after all, that a true scientist will fall in love with his iPhone. He may find it useful; he may admire it. But he is not likely to adore a mere tool. It's the artist who is smitten, who praises his iPhone every day, who thanks it for its loyalty & brilliance, who regards it as his secretary, amanuensis, his dear little friend.

"Technology is essentially a form of service," Lanier counters. "We work to make the world better. Our inventions can ease burdens, reduce poverty & suffering, and sometimes even bring new forms of beauty into the world. We can give people more options to act morally because people with medicine, housing and agriculture can more easily afford to be kind than those who are cold, sick and starving... But civility, human improvement, these are still choices. That's why scientists & engineers should present technology in ways that don't confound those choices."

And finally: "When we think of computers as inert, passive tools instead of people, we are rewarded with a clearer, less ideological view of what is going on -- with the machines and with ourselves."

Thursday, August 5, 2010

My review transmutes to ink on paper

ZeyezLittleNeckBlvd
"Little Neck Parkway," Zheng Yaohua, All rights reserved

The picture above is from "On Their Sites: landscapes with private monuments," a fascinating project by New York-based photographer Zheng Yaohua (known as zeyez on Flickr) that explores private memories as they attach themselves to specific places. I am honored that a short essay I wrote about Zheng's work was included in his recent brochure about the piece.

You can read my review here.

The photo/childhood memory about George Tenet that I analyze is here.

Friday, July 30, 2010

Nibbling at netflix

movie

For too long I have been a netflix ninny, paying for the service but failing to actually order my movies Why? Because I never get around to it. Too daunting. Instead, at the last minute, I scramble for whatever decent disc is still on the shelf at the video store & usually end up paying a late-return charge. No more!

I have begun carrying a small notebook around, listing movies I want to see or have seen in the dim past & want to see afresh. (See below.) I'm also asking my friends & readers for suggestions. Have I missed one of your all-time faves? Tell me.

Expanding must-see list
(Titles & notes are not google-checked)

Blade Runner -- replicants in steamy future L.A.
Desperate -- Anthony Mann, called "the perfect noir"
Shadowlands -- Anthony Hopkins as C.S. Lewis, Debra Winger
Noises Off -- funny
Howard's End & A Passage to India -- Merchant/Ivory style, great novels
Mutiny on the Bounty -- Charles Laughton as Captain Bligh
Six Feet Under -- the TV series, redhead is adorable
Lars & the Real Girl
Spring Summer Fall Winter -- and Spring - Korean Buddhists
Whale Rider -- enviro theme
Waltzing with Basheer
La Strada -- Fellini, Anthony Quinn as circus strongman
McCabe & Mrs. Miller -- Altman, Julie Christie , Warren Beatty
The Long Goodbye -- Altman, Eliot Gould
MASH -- Altman, Alan Alda, E Gould, "Hotlips Houlihan"
Thieves Like Us -- Altman
Taxi Driver -- Scorcese, DeNiro
Danny Darko
The Searchers -- Ford or Hawks? I think the latter. John Wayne at his angry best
Chinatown - Nicholson, Polanski, Dunaway, John Huston
Mrs. Brown -- Judi Densch?
Bonnie & Clyde -- Faye Dunaway & W Beatty
Stay Hungry -- the young Arnold Schwartzenegger as politically astute bodybuilder
A Slave of Love
The Conformist -- Bertolucci
Last Tango in Paris - Brando
Jules et Jim -- Truffaut, Jeanne Moreau
Loves of a Blonde -- Milos Forman
The Fireman's Ball -- " "
An American Friend -- Werner Herzog
Ali, Fear Eats the Soul -- Fassbinder??
Out of the Past -- Robert Mitchum, noirish thriller
The Lady Eve -- Preston Sturges
Laura -- not Hitchcock
Philadelphia Story
Bringing up Baby -- Hepburn
King of Comedy -- Scorcese, Jerry Lewis
The Deerhunter
The Conversation -- Francis Coppola, Gene Hackman
Cisco Pike -- Hackman, Kris Kristofferson, Karen Black
Five Easy Pieces -- Jack Nicholson, Karen Black
The Great Ecstasy of the Sculptor Steiner -- Herzog documentary
The White Diamond -- about dirigibles, also " " "
Born Yesterday -- Judy Holiday
South Pacific
Kiss me Kate
Last Picture Show
Sugarland Express
Badlands
Blue Velvet
Contempt - Jean Luc Godard, Jack Palance
2 or 3 Things I Know About Her -- Godard
Slings & Arrows -- TV series
Anvil -- Mark said best movie he saw last year
Crimes & Misdemeanors -- Woody Allen, panned because not a Woody Allen picture
Lone Star -- John Sayles
Brother from Another Planet - J Sayles
Scenes from a Marriage - Ingmar Bergman
Cries & Whispers -- " " "
Fast, Cheap & Out of Control -- Errol Morris
Murder Ball -- sci fi?
The Big Lubowski -- Coen Bros, Jeff Bridges
Knife in the Water -- Roman Polanski
Macbeth -- " "
The Tenant -- " "
The Pianist -- " "
The Piano Teacher -- Michael Haneke
The Piano -- Jane Campion
Sweety -- " "
Angel at my Table -- " "
Holy Smoke -- also by Campion, Harver Keitel as deprogrammer, Kate Winslet as his subj -- is the name right?
Welcome to the Dollhouse -- Todd Solondz
Discreet Charm of the Bourgeosie -- Luis Bunuel
Belle de Jour -- " " "
Diary of a Chambermaid -- " " "
Atlantic City -- Louis Malle
My Dinner with Andre -- " "
The Natural -- Robt Redford, from Bernard Malamud novel
The Apartment -- Billy Wilder
Sunset Blvd --- " "
Winess for the Prosecution -- " "
Double Indemnity -- " "
Elmer Gantry -- Burt Lancaster
Sweet Smell of Success -- " ", Tony Curtis
Black Widow
Petrified Forest -- Bogey, Ida Lupino
What Makes Sammy Run?
A Face in the Crowd -- Elia Kazan, Andy Griffith
I'm Not There -- 7 Bob Dylans
No Direction Home -- Scorsese documentary on Dylan
Don't Look Back -- Dylan
The Company -- Stephen Sondheim
Black Robe -- from great novel by Brian Moore
Names of all the Saints
Further Tales of the City -- Laura Linney

Thursday, July 29, 2010

Venus if you will...

VenusBlog
"Venus," NASA & Kinetikon Pictures, All rights reserved

Did you ever see anything more beautiful? The show Beyond: Visions of our Solar System is reviewed in the NY Times here.

Monday, July 5, 2010

Pauly


"Pauly, Brattleboro, 1" , Tim Connor, All rights reserved

PaulyLongBd4Blog
"Pauly, Brattleboro, 2", Tim Connor, All rights reserved

PaulyLongBd2Blog
"Pauly, Brattleboro, 3", Tim Connor, All rights reserved

PaulyLongBd1Blog
"Pauly, Brattleboro, 4," Tim Connor, All rights reserved

Thursday, June 24, 2010

Brother T

Brother T
"Warrior cut," Santa Cruz, 6/10

"Shut yo mouth, sucka!! ... I pity the fool."


Lymphoma-inspired, preemptive do. So retro it's fashion-forward. Go, Teddy!

Sunday, June 6, 2010

Montana

PrairieSkyBlog
"Prairie sky, near Malta, MT," Tim Connor, All rights reserved

Back from an assignment in north central Montana, about 30 miles from the Canadian border. The prairie was a revelation.